The other night, while guiltily attempting to enjoy the silence of a first-ever empty house, I settled into my sloppy, toy-covered living room with the remote and a fleece blanket. I was thrilled about the opportunity to watch adult television, at a normal volume, without the worry of tripping noisily over a toy, or sneezing, or breathing. The silence, though a blessing in the face of recent stresses, was ill-placed. I’ve never been without my children in the evening, and it was downright disquieting.
I sought to distract myself with some enthralling entertainment, something into which I could dive headfirst, something that would help me forget I was alone.
Redemption came in the form of PBS pledge programming. I’m a sucker for PBS pledge programming. PBS is responsible for my love (turned lust, and then safely back to love) of Harry Connick, Jr., Cirque du Soleil, and musical theater, to name just a few. Needless to say, I was more than ecstatic when I noticed an Il Volo concert has just begun.
Who are Il Volo, you ask? Well, they’re a motley crew of young adult tenors brought together, in 2009, by an Italian talent competition. And they’re wonderful. As soon as you get past the, ahem, motleyness.
I sat, legitimately absorbed by the concert (to the point where I spent two hours arguing with myself over the practicality of buying tickets to an upcoming show), their shaky but charming English, and their beautiful, yet very distinct, voices.
During one of their songs, a song about mothers, black-and-white family video reels played on a screen above the stage. Grandmothers and grandfathers, whom I imagine are no longer with us, smiled, laughed, drank, and ate at large, food-covered family tables. At the end of the song, each young man presented a single rose to his teary-eyed mother before kissing her gently on the cheek. I have to admit, I got a little misty.
And that’s when it hit me.
This is me.
I am half Italian. But as anyone who is half (or more) Italian, knows, there is no such thing as half Italian. This culture, much like an allergic reaction, has a way of spreading over your body, your spirit, your life.
I have had a love-hate relationship with my Italian heritage for as long as I can remember. I love (and hate) the importance of family, I love (and hate) the emphasis on food, I love (and hate) the stereotypes, and I love, no, well, just hate, the portrayals in the media. The Godfather, though I could sit, mesmerized, for the nine hours it takes to run on network television, rather disgusts me. Just about everything filmed in New Jersey raises my blood pressure. And Mario and Luigi? Well, they’re okay. I don’t mind them.
Anyone who reads me regularly, or maybe even sporadically, knows I have a chip on my shoulder about Jersey Shore. Do you want to know why? Really why? Because they’re whom I’ve been running so recklessly to avoid, to avoid being, my entire life. And there’s also that kid from Rhode Island, whom my cousin, and several other acquaintances, know. Personally. What can I say? Small state. The proximity, coupled with their, uh, antics, create a perfect storm of emotional turmoil for me. That and the tanning.
I’ve tried to deny my maker on several occasions, tried to walk away from the gold chains, the accents, saying things like “fuhgeddaboutit” and “sangwich”, and the unnecessarily large holiday spreads, but I’ve only been marginally successful.
Now that I have children, who are now a quarter Italian, a smidge Armenian, a pinch Polish, and half Egyptian, I can’t help but sit here and wonder what we’ll make of that soup, which veggies will float to the top, what direction we’ll take, and how they will ultimately identify themselves. Because though there’s a lot I’d like to forsake about my own culture, I can’t (and won’t) let it go.
I secretly love it when my soon-to-be 81-year-old grandmother hauls off and starts shouting the names of saints when she’s angry, or sits me down to impart some generations-old wisdom. Each time, the conversation begins with her trying to accurately translate some epigram, awkwardly explaining it, then ending with, “That’s what my mother used to say, Steph, but it sounded better when she said it. It sounds better in Italian.”
I know, Gram. I know. It does sound better in Italian.
Stephanie is a former behavioral health professional who gave up the glitz and glamour of human services for stay-at-home motherhood. She is the proud, but exhausted mother of a feisty two-year-old boy, one-year-old fraternal twins, a husband with a rotating work schedule, and three cats. She can be found sharing her tales of woe at Momma Be Thy Name, on Facebook, and on Twitter. Because Misery Loves Company